Skip to main content

Canon announces EOS C400 – cinema camera with RF mount

Adapting to the evolving needs of the market and designed with versatility in mind, the EOS C400 offers an all-in-one solution tailored to support a vast range of different productions, from indie cinema and documentary, live and virtual broadcasts to the electronic news gathering field.



The EOS C400 is the first high-end RF mount cinema EOS camera, ushering in a new era for Canon products, particularly within the EOS R System. Compact yet mighty, the innovative design packs advanced features and specifications typically found in larger cameras into a more nimble box-shaped design. Moreover, specific in-camera connectivity such as genlock, return input and 12-pin lens terminal all support live multi-camera productions.

BSI sensor and triple ISO
The EOS C400 is equipped with a 6K full frame backside-illuminated, stacked CMOS sensor (BSI), boasting 16 stops of dynamic range. The technology enhances light capture efficiency and facilitates faster readouts, ensuring superior image quality.
 
Setting a new standard, the camera introduces the Canon triple base ISO technology, crafted for optimal performance in low light environments and delivering the cleanest optical results. With base ISO levels of 800, 3,200 and 12,800 when shooting in Canon Log 2 or 3, users have greater flexibility when it comes to shooting in challenging lighting conditions.
 
To make the shooting process much easier, an automatic switching mode detects ambient lighting and adjusts the base ISO level accordingly, enhancing the overall user experience.
 
RF mount
Supporting Canon RF mount technology, the EOS C400 seamlessly integrates with a wide array of RF prime, zoom, hybrid, cinema and VR lenses. For added flexibility without the need for third party accessories, the camera also supports the option to use a variety of Canon’s EF-EOS R mount adapters as well as the new PL-RF mount adapter. Additionally, the camera has enhanced metadata capabilities and connectivity options facilitating real time frame-by-frame data capture enhancing both VFX and Virtual Production workflows.
 
Dual Pixel CMOS AF II
Canon is introducing its Dual Pixel CMOS AF II system to its cinema EOS system, providing filmmakers with improved autofocus features. With comprehensive 100% coverage across the sensor plane, the Dual Pixel CMOS AF II delivers swift and precise performance, upgrading filmmaking clarity and reliability whilst providing piece-of-mind that you are nailing the shot every time.
 
This latest system also unlocks additional benefits such as face, eye and body tracking, as well as animal detection and tracking, especially useful when working solo in a fast-paced environment. 

Recording formats
With more options when it comes to internal recording formats, users can now tailor the format to suit their specific needs. Options include Canon's scalable 12-bit Cinema RAW Light LT/ ST/ HQ, reliable 4:2:2 10-bit XF-AVC and all-new MP4 based XF-AVC S and XF-HEVC S formats, accommodating several types of professional requirements.  All of which accommodate detailed filmmaking workflows with professional filename and metadata support.
 
Compact design


Users familiar with the EOS C500 Mark II will appreciate the EOS C400’s recognisable design, now upgraded with an even more compact form while still offering an extensive array of connectivity. This enables operators to access the full suite of features typically associated with larger scale production cameras without the burden of size, weight or attaching additional modules.
 
The new compact design and enhanced accessories such as a versatile LCD bracket, advanced top handle and improved hand grip offer compatibility with a range of shooting styles whether handheld, on a gimbal, drone or shoulder-mounted.

Popular posts from this blog

Canon teases new hybrid lenses

  Canon has announced its intention to add new lenses to its hybrid RF L-series range on 30 October 2024, teasing with the image above. Canon’s hybrid lenses are a range of RF L-series primes and zooms designed for high performance stills and video capture. They are able to perform multiple roles and harness technology from Canon’s broadcast, cinema and existing RF lenses to make for a truly versatile range. The first two lenses in the range are the RF 24-105mm f2.8L IS USM Z , launched in November 2023, and the RF 35mm f1.4L VCM lens , announced earlier this year in June. Keep an eye out as full details will be published as soon as they're available on 30 October 2024.

Canon announces EOS R1 and EOS R5 Mark II as next R system evolution

Canon has today launched two new cameras for the EOS R system – the EOS R1, a new flagship model to take over from the EOS-1D X Mark III, and the EOS R5 Mark II, the next iteration of the ever-popular 5-series. The two camera share much more than just a launch date. They herald the arrival of the next generation of Canon's sensor-based focusing system – Dual Pixel Intelligent AF – as well as offering a raft of improvements over previous R-series cameras. The new features and the improvements alike are powered by a duo of DIGIC processors, one DIGIC X and one DIGIC Accelerator – and by Deep Learning, with the introduction of Action Priority AF for team-based sports. Both cameras sport brand new, purpose-made back illuminated stacked (BSI) sensors; the EOS R1 offers 24.2MP and the EOS R5 Mark II offers 45MP. Rolling shutter effect is reduced, significantly so on the EOS R1. In-camera there's also an up-scaling feature, giving users of both cameras the opportunity to increase res...

RF 28-70mm f2.8 IS STM announced

Canon Europe today announces the RF 28-70mm f2.8 IS STM, a new lightweight lens designed to be a next step for photographers wanting to upgrade from their kit lens.   Designed for a variety of shooting scenarios, from portraiture to street and travel, the fast f2.8 constant aperture throughout the zoom range is ideal for shooting in low light conditions, capturing everything from fading ‘blue hour’ light to dimly lit indoor scenes. Built with reliability in mind, this weather-resistant lens also allows for shooting handheld at slower shutter speeds in lower light environments with optical image stabilisation of up to 5.5 stops.   Measuring just 92.2mm in length when retracted and weighing 490g, this latest lens is among the lightest of its kind. With a significant weight reduction compared to previous lens options, it pairs perfectly with the smaller full frame EOS R-series bodies, such as the EOS R, RP and R8. The RF 28-70mm f2.8 IS STM offers swift adjustments to shutter spe...